Sculpture//Installation
ALLANA CLARKE Sculpture//Installation
Installation Shot of my solo exhibition 'Relative Semblance', at WDR+G
2019
ALLANA CLARKE Sculpture//Installation cast raw cocoa butter
Meh Muddah Teach Me to Hate Blackness in Myself & in Others
2019
cast raw cocoa butter
Variable
ALLANA CLARKE Sculpture//Installation Cast Cocoabutter
Yet Here We Were, Not as You Imagined
2019
Cast Cocoabutter
Variable




ALLANA CLARKE Sculpture//Installation Cast Cocoabutter
Black Lack
2019
Cast Cocoabutter
Variable
ALLANA CLARKE Sculpture//Installation
Black Lack (Detail)
ALLANA CLARKE Sculpture//Installation

ALLANA CLARKE Sculpture//Installation

ALLANA CLARKE Sculpture//Installation Vinyl
Who Would You Be If Others Didn't Hurt?
2017
Vinyl
Variable

Installed in the Williamstown MA townhall building
ALLANA CLARKE Sculpture//Installation Vinyl
I, On the Other Hand, am Subsumed and Dissolve
2017
Vinyl
Variable

Installed in the Williamstown MA townhall building
ALLANA CLARKE Sculpture//Installation Vinyl
I, On the Other Hand, am Subsumed and Dissolve
2017
Vinyl
Variable

Detail
ALLANA CLARKE Sculpture//Installation house paint on panel
Intersections
2013
house paint on panel
ALLANA CLARKE Sculpture//Installation plaster, hair, joint compound, acrylic paint
300 Pounds Of Plaster
2012
plaster, hair, joint compound, acrylic paint

Title of the work is a direct reference to the physicality of the sculpture. Critique on minimalism and the pedestal as a conceptually charged object.
ALLANA CLARKE Sculpture//Installation plaster, hair, joint compound
300 Pounds Of Plaster
2012
plaster, hair, joint compound

Detail side view
ALLANA CLARKE Sculpture//Installation plaster, hair, joint compound
300 Pounds Of Plaster
2012
plaster, hair, joint compound

Detail of top
ALLANA CLARKE Sculpture//Installation Mahogany and Sepele Wood
That What it is a Matter of Demonstrating Has Not Been Demonstrated, Since it is Already Said at the Beginning
2014
Mahogany and Sepele Wood